《the commentary of the works in the tea room》
The red prismatic work leaning against a paper sliding door is made by the method of silkscreening over transparent acrylic blocks. Each of the six visible planes of my pieces is finished by printing color ink just one time individually on the support of the transparent rectangular parallelepiped. The thin layer of ink printed uniformly on the surface is opaque, but it takes on translucency as a faint gleam of light from outside goes through its transparent support. Especially, in the daytime, you can see the prominent effect of translucency caused by the outside light.

The small round works on the floor are made by the method of air-blushing casein-tempera over aluminum-mounted base material. They were made ten years ago. The size of each piece is 12 mm, which is the standard size of go stones. The title of the work is "Stay - See". There is a play on words; "Ste-Ishi(to put down a dead stone)" means a strategy of Igo and a landscaping technique of traditional Japanese garden as well.